Honor Freeman
I doubt there’s a more fitting start to the new year than Honor Freeman‘s porcelain bars of used soap and sponges. Fresh starts, wiping the slate clean, and many other sentimentalities ring true as each of us hammers out just what it is we’d like to accomplish in the twelve months to come.
Noticing and quietly commemorating the smaller moments that are a constant rhythm of the everyday continues to be a preoccupation in my work. I seek to make visible the relationship between us and the objects we use, the gestures, mundane activities and humble objects, like small markers silently measuring the hours and marking the days. Thoughts of preserving, measuring and marking time’s passing occupy the work during the making. There is a correlation between actions and gestures used when engaging with objects and those used during the process of making that informs the work. Using the mimetic qualities of clay via the process of slipcasting, the work playfully interacts with ideas of liquid made solid due to the processes of making that are fundamental when working with clay. The porcelain casts become echoes of the original (object), the liquid slip becoming solid and forming a memory of a past form, the essence of an object. Small moments caught and made solid as if frozen in time – liquid made solid.
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