Polly Fern

 

Illustrator and ceramicist Polly Fern creates whimsical art that could have been made today or one hundred years ago, it’s that timeless. Domestic everyday scenes, city architecture, and portraits adorn ceramic pieces she’s crafted and prints ready and waiting for your walls. Then there are the brooches, the cards, and the holiday ornaments but you should probably just check out her shop for yourself!

Shop Polly Fern’s work

 

 

 

 

 

 

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Terry Haggerty / In Between Elements

 

Doesn’t Terry Haggerty‘s In Between Elements make you want to run your hands all over it? All of those 2D curves and edges in the installation are a great example of the trompe-l’oeil, or the interplay between reality and illusion, that artist’s are always experimenting with.

 

 

 

 

 

 

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Niaz Uddin

 

Niaz Uddin is a Los Angeles-based director, photographer, and filmmaker, and with titles like those it’s no surprise he has a fantastic eye. Uddin’s beautiful shots of nature made me take a few moments to slow down and appreciate what surrounds us, especially appreciated during this hectic time of year.

Shop Niaz Uddin’s work

 

 

 

 

 

 

 

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Sheet Pan Meals 15 Ways

Sheet pan – or one pan – meals serve a myriad of purposes this time of year. First, they’re easy and fairly healthy during a time when you’re *probably* indulging more than usual. Second, they’re a reason to use the oven and add extra heat to your home. (Can you tell mine has been freezing??) Third, there’s minimal cleanup involved which is honestly always plus in my book. I’m very much looking forward to trying out some of these recipes this winter!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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DOOOM

 

DOOOM is a mysterious illustrator based out of the U.K., anonymously creating some truly incredible tattoo flash-inspired art. I love how simple yet unique each and every piece is.

 

 

 

 

 

 

via BOOOOOOOM

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Michael Milano

 

Seattle-based Michael Milano creates fabric-based paintings, doing things to and with fabric that harken back to age old textile traditions. His abstract take on things is a fresh way to keep the history of those methods alive.

In my practice I employ materials that are part of our everyday experience, producing fabric-based paintings that are indebted to textile traditions and the history of abstraction. Thinking through the physical properties of textiles, as well as their cultural associations, I combine processes such as dyeing, pressing, and distressing to create abstract compositions that champion a deeper engagement with our material environment. Whether it involves the piecing of a quilt, or the seam, fold, or drape of a shirt, the ubiquitous and seemingly mundane quality of cloth continues to motivate me in the studio. 

 

 

 

 

 

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