Envelope Bookmarks.

I love this idea from d.Sharp Journal! Clip the bottom corners off of envelopes headed for the recycling bin (or trash if you’re that kind of person) and give them a second chance at life. Simply slip them over the corner of a page in a book, magazine, etc that you want to mark. Voila! Insta-bookmark.

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Happy Weekend.

Hooray for the weekend! I had plans scheduled but they were cancelled, so now I have two glorious days ahead of me with nothing to do but laundry. And I couldn’t be more thrilled about it! Hopefully I’ll be able to get in some pool time and finish my book somewhere in that tight schedule…

See you Monday.

:: photo via ffffound

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Ugly Mug Coffee.

Sometimes I’m a bag blogger. I’m talking to you, Ugly Mug Coffee. Not only had I bookmarked you months ago after seeing your fabulousness (somewhere I’ve long forgotten), but you even emailed me yourselves and I’ve neglected to put out. A post that is.

That brings us to the here, the now. Because Holy Packaging this stuff sure is good lookin’. It’s that hot guy who walks in the room and you think he’s just easy on the eyes, but then you talk to him and he’s got brains and a sense of humor, too. Almost too good to be true. (I did say almost.)



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En terrasse / To Go.

Designer Laurent Corio has come up with a vessel – En terrasee / To Go – contrasting the different ways people in Paris and New York drink their coffee. The saucer has the capability of becoming the lip of the cup and vice versa. So clever and much more attractive than your usual to-go cup.

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Stephanie Levy.

Artist Stephanie Levy creates beautiful, intricate collages using everything from origami paper to gold leaf. The main subjects of her work are interiors, for which Levy gathers images from sources such as IKEA catalogs and vintage issues of interior design magazines.

“I like to think of the images I use as “fictional interiors”, because most of the photos I use for inspiration depict interiors where no one really lives.”

Who doesn’t love that??



:: via Design*Sponge

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