The Lost Object

 

One man’s trash being another’s treasure very well may be The Lost Object‘s favorite phrase. The anonymous artist works with discarded and abandoned materials to create installations and sculptures through a zen process where nothing is set in stone except achieving balance and harmony.

I make stuff from junk. I pick up messes and try to make them into something I think looks good. I use the junk from the city, I use the stuff from the field, I use the bits in the forest, and the things in the trash. I hunt, I collect, I gather, but only what I need for the work, for the play. Color, shape, composition. Some lost stuff gets found again.

 

 

 

 

 

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Terry Haggerty / In Between Elements

 

Doesn’t Terry Haggerty‘s In Between Elements make you want to run your hands all over it? All of those 2D curves and edges in the installation are a great example of the trompe-l’oeil, or the interplay between reality and illusion, that artist’s are always experimenting with.

 

 

 

 

 

 

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Christina Graham / Ridgewood Reflections

 

Christina Graham‘s paintings are intriguing, and her Ridgewood Reflections site-specific installation in a DIY space in Queens, New York this past summer is both bright and curious.

The walls and molding are Agnes Martin variations on white paint, caked on from years of layering, a radiator, mirrored closet doors. Everything in the room has character — a sort of proud outer-borough minimalism.

It seemed important to respond directly to the space and not pretend it’s a white cube. I used the windows, doors and radiators as armatures, but let textures from my day-to-day seep in. The mirror and concrete sculptures are supporting acts for the paintings, a way to see the room from unexpected vantage points.

 

 

 

 

 

via Juxtapoz

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Rowan Mersh

 

Rowan Mersh is a multi-media sculptor epitomised by his ability to take ordinary materials and transform them into the extraordinary. From textile sculptures to kinetic and interactive installations, Mersh’s pieces bridge the realms of art, design, and fashion.

 

 

 

 

 

 

 

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Hiromi Tango

 

Using a rainbow of colorful textiles, Japanese-American artist Hiromi Tango creates sculptures and installations that she then interacts with. Her works are often collaborative, performative, and site-specific as a direct reaction to today’s virtual communication style. In recent years, Hiromi’s work has become more and more focused on neuroscientific concepts, posing questions around neuroplasticity, empathy, and epigenetics in her quest to effect healing and well-being through arts.

 

 

 

 

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Derrick Velasquez

 

I’m crazy about the work of Derrick Velasquez! Layers upon layers upon layers of interest.

My most recent work deals with forces projected onto manufactured and industrially engineered materials. Some of these forces are natural, such as an accumulated weight created by gravity, and some are more forced like tension applied by testing an object’s flexibility to its breaking point. The demands put on these materials reveal and obscure structures of both their intended consumer use and the qualities of the material itself.  By the use of marine vinyl, masonite, handmade half-scale 2X4s, plywood, and found objects, I aim to question the way we physically interact with the tangible and manufactured structures of everyday life. Through an investigative manipulation that observes and skews nominal measurements, my work teases out our psychological relation to the dimensions and conditions given by such materials. 

 

 

 

 

 

 

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Chris Wood

 

Chris Wood describes her profession as light artist, which is pretty badass. Using both high and low tech optical materials to create her simple kinetic sculptures, Wood is able to harness light. She often uses a material invented by NASA, dichroic is a colorless material that filters and reflects wavelengths of light, creating a huge variety of rainbow shadows and projections in the process.

 

 

 

 

 

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Uta Barth

 

Uta Barth has a wide breadth of work that is ever-evolving with influences of painting, sculpture, photography, and installation. Engagement and perception play big roles in her work, exploring the way the human eye might view something versus the camera, and Barth’s latest two projects – In the Light and Shadow of Morandi and Untitled 2017 – press her forward on that journey. In the first she pays homage to Morandi’s love of repetition, light, and form, while in the second Barth’s focus is on attention to detail in photography.

 

 

 

 

 

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Do Ho Suh

 

Korean artist Do Ho Suh is known for his site-specific installations. In Passage/s he used stainless steel pipes and polyester fabric to explore the idea of home as both a physical structure and an experience, meticulously recreating the places he’s lived. In the summer of 2016 Suh used thin paper to cover the interior of an entire four story townhouse, then covered his fingers in pastels and rubbed down the entire place. Effectively that means he left a piece of himself behind in the Rubbing/Loving Project. His plan is to mount the rubbings on wooden panels and create a scale model of the house. I love his attachment to places and find it incredibly relatable – what will we see next from Do Ho Suh? I can’t wait.

 

 

 

 

 

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Michelle Benoit

 

Don’t you want to put one of these in your mouth and suck on it like candy? These mixed media installation pieces by Michelle Benoit combine lucite, wood, paint, and mixed media before being assembled, adhered, and recut into their final forms. The bold, saturated colors make my mouth water!

 

 

 

 

 

 

 

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