Ingrid Aspen / Bottoms Up

 

The conceptual Bottoms Up glassware range by Ingrid Aspen is comprised of a set of stackable drinking glasses and a carafe. So versatile that you’d probably find me using the vessels as vases and votive holders as well!

Bringing Scandinavian simplicity to the Italian lifestyle, the glasses are intended to introduce a playful note of celebration into everyday life. The range eliminates the traditional wineglass stem and, upside down, the base becomes the ideal vessel for a nightcap. The accompanying carafe is a riff on the shape of a wine bottle. Made without the use of adhesives, the range pushes the possibilities of modern glassblowing techniques.

 

 

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Gala Bent

 

Gala Bent is a Seattle-based drawing-centric painter who also dabbles in installations, animations, and collaborations. The series partially seen here – Particle Playlist – is probably my favorite in her portfolio, I love how each piece stands strong on its own but also adds to the group as a whole.

Shop Gala Bent’s work

 

 

 

 

 

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Camila Gutiérrez

 

Lifestyle and commercial photographer Camila Gutiérrez‘s stills are flat-out dreamy. The muted pastel tones she seems to favor either lean towards golden hour vibes or a rainy day mood, two of my personal favorites. Don’t you just want to jump into one of her photos and explore?

 

 

 

 

 

 

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Karin Miller

 

Cape Town-based Karin Miller‘s collages showcase inspiration from Medieval tapestries, the dichotomies of beauty and tragedy, and dinner table taboos. She uses her work to speak about social, political, and historical issues, but that’s not to say Miller’s work is without humor – you just have to know where to look.

“I love the fact that I can take items out of context and place them wherever I want, because life is a collaboration of different points of view; and I get nervous when people start believing things only from one side, their side.”

 

 

 

 

 

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Lisa Courtney

 

Massachusetts-based painter Lisa Courtney considers herself an abstract expressionist, meaning her interpretations include things that are recognizable, placing her style somewhere between realism and abstractionism. The colorfully serene scenes she captures are directly from her surroundings – seaside cottages, sunsets, and more.

Shop Lisa Courtney’s work

 

 

 

 

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Francesca Pasquali

 

Francesca Pasquali transforms plastic industrial materials into objects and installations that emulate natural shapes and structures that she’s observed. Her art includes everything from drinking straws to balloons to neoprene, and dozens more interesting materials in between. Be sure and have a look at Pasquali’s entire portfolio to see the extent for yourself!

 

 

 

 

 

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Nicholas Rougeux

 

Chicago-based self-taught web developer and artist Nicholas Rougeux did something rather remarkable, he took the scores of classical composers and turned them into wonderfully colorful fractal images. In fact, he created the entire process and you can see the visuals take shape as each piece is played here.

Each dot represents a note in the score. Pitch is indicated by the distance from the center of the image, while the time at which the note occurs is given by the angle from the 12 o’clock position. The size of the dot indicates the duration of the note, and the color of the dot is different for each instrument.

Shop Nicholas Rougeux’s prints

 

 

 

 

 

 

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Phoebe Cummings

 

There are so many things I love about Phoebe Cummings‘ sculptures. She primarily works with greenware – AKA unfired clay – and other supportive elements to create these pieces that are built on site and will only last as long as their respective exhibition. Because Cummings’ sculptures are the natural color of the clay they look as though they’d be right at home adorning an immaculate mausoleum.

 

 

 

 

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Emma Hartvig

 

Paris-based Swedish photographer Emma Hartvig has a way behind the camera that makes every shot seem right out of a glamorous Hollywood film. Her staging capabilities are impeccable, as are the narratives she strives to capture within each project.

 

 

 

 

 

 

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Roger Vail

 

Amusement parks and carnivals are two of my favorite things – the energy, the smells, and the people-watching all combine for the perfect summer adventure! Roger Vail started photographing their thrill rides with his 8 x 10-inch view camera back in 1970, his pictures made in the evening hours with long exposure times. The result of these extended moments, which track the momentum of the ride, offer up the childlike sense of wonderment that keeps me going back year after year for more.

 

 

 

 

 

 

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