Ewa Juszkiewicz’s art lives in the space between creation and destruction. Her inspiration is drawn from female portraiture originally created between the Renaissance and the 19th century. Juszkiewicz transforms, fragments, or changes the context within these familiar portraits of the wives, mothers, and daughters of influential men. By destroying and recreating, Juszkiewicz deprives the women of their faces – essentially taking away their existence.
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Books Are Bananas by Book Shop
Writing Chart Sign by Magnolia
I Will Follow You Into the Dark by The Quote House
The Cardinal Waratah by Inaluxe
Forevers I Set of 4 Prints by Stephanie Henderson
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Mercedes Helnwein‘s nostalgic art lives in the vague – faces are half finished, rooms half-lit, subjects completely self-involved. Every scene put before us feeling almost normal, but not quite.
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Los Angeles-based artist Dessie Jackson rotates between using mixed media, painting, and paper to create her wildly expressive portraits. With a swoosh of paint around the eyes or a whirlwind of color around a mouth, Jackson turns the everyday into the questionably extraordinary.
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Texas-based artist Adrian Landon Brooks works predominately in painting and illustration, using found materials like wood, metal, and old photographs as his canvas to create otherworldly backdrops for mystical iconography. His main intention is to show love, loss, and redemption – themes than transcend all else.
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Korean-born, Portland-based artist Samantha Wall creates work full of human emotion, all of them. Aggression, weakness, loss, and self-reflection are just a few that she explores through ink and raw talent.
“The expression of emotions provides a doorway into private experiences that reveal our commonality, a smile could indicate pleasure and a frown, sorrow. These communicable emotions reach outward from within, making our bodies transparent. I am interested in the emotions that are more difficult to penetrate and are cloaked even from our own awareness. These are the emotions that sculpt our psyches, erect psychological boundaries, and fill our shadows.”
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Contemporary portrait painter Emilio Villalba has always been fascinated by the messy parts – emotions, obsessions, and urges. While his works are inspired by the works of the past, the way Villalba pieces elements together to create feels completely modern.
The new visuals are a nod to the modern art aesthetic. Subtle shifts, repetition, (re)placement, or absence of facial features are attempts to create a feeling of dissonance and pressure in the viewer. I want someone to be drawn in by the uncanny nature of a piece and still feel safe to explore the feelings and reactions the pressure gives rise to.
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Artist Yu Maeda was born in Kumamoto, Japan and now calls Southern California home. Subjects like skulls, knives, brains, and blood usually have a sinister air about them, but Maeda’s brightly colored, gape-mouthed creatures seem way too energetic and happy for any of that nonsense!
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Alberto Ortega‘s landscape paintings depict homes and streets where people live their everyday lives, though their presence is only hinted at through parked cars and glowing windows.
As an immigrant to the United States, I am intrigued by American suburban life as depicted in film, literature, and visual art. Through the images I create of American homes, buildings, and man-made environments, I seek to portray society and some of its contradictions. These scenes represent hopes and dreams, the threat of their failure, and alienation. I hope that my paintings set a stage that allows a drama to play out within the viewer.
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