High contrast is difficult to ignore, especially in vast landscapes provided by nature herself. Jonathan Smith captures the world and its desolate landscapes at their most striking through his camera lens.
Budapest-based photographer Zsolt Hlinka captured a series of symmetrical buildings on the banks of the River Danube in Urban Symmetry. By removing the surroundings Hlinka emphasizes the uniform proportions.
If you get a closer view of the photographs, you may discover that none of the pictures show the building in its full form, but only its reflected part. After all, these fictitious buildings coming into existence perfectly grab and condense their original character into themselves, as if you could see human faces and different personalities on the building portraits.
Stay with me for a minute while I explain exactly what you’re seeing in Ori Gersht’s On Reflection. They are in fact photographs, photographs of mirrors reflecting flowers using no digital manipulation whatsoever. Gersht used an extremely high shutter speed to capture each moment as they were being electrocuted. The flowers themselves are fake, three separate arrangements were created that reference famous floral paintings by Jan Brueghel the Elder. Each photo is focused on the surface of the mirrored tempered glass rather than the reflection, sharpening the breaks in the glass. (Did you catch all that?)
Aside from beauty, art is also in the eye of the beholder. Whether it’s a plastic bag caught floating in the breeze, shapes in the clouds… or the discarded blotting tissues of artist Del Kathryn Barton. Because that’s exactly what Tim Moore saw when working as Barton’s assistant, so much so that he turned 95 of them into a book – Tim Moore: Not My Blotting Tissues.
It’s rare that we share photography, but I’m making a conscious effort to change that beginning with lauded German photographer Alexander Straulino. His stylistic perfection, aesthetic boldness, and saturated tones turn models into works of art with a click of the shutter. Straulino’s willingness to step out on a limb and experiment in the obscure is the definition of art.
Normally I would be lamenting the cold weather and praising the warm temperatures that surely lie behind these greenhouse walls, but with the unseasonably warm weather we’ve been experiencing I relate all too well. Samuel Zeller‘s botanical photographs – yes, photographs not paintings-masquerading-as-photos – capture a world longing to escape its confines.
I really love saturated photography with high contrast, harsh lighting. If you peek through photos I take myself you’ll see the style often. Adam Kremer would agree it seems, and is much better at capturing objects and people that I am.