New Zealand’s Louise McRae‘s sculptural wall art uses discarded building materials that she paints and splits into smaller shards. Each piece ends up feeling as though it’s organically found its place among the hundreds of others.
It’s getting to be that time of year – RE: May through September – when my bathroom feels like the surface of the sun while drying my hair. To solve that little problem I avoid it as often as possible, and turn to wave sprays to avoid looking like a professional hobo. In the past I’ve tried more than I can count, all in the name of finding the perfect one for my fine mane. More often than not the answer has been a combination of two or more sprays working their magic together. Here are sixteen wave sprays you might want to add to your arsenal.
The world around us is forever changing, sometimes on its own and more often than not by human hands. Mya Kerner creates to capture these fleeting moments of vulnerability and balance.
My studies in permaculture revealed a new way of perception. I notice geological disruptions, moments and parts within the landscape; together, these notes present a segmented image of the whole. When I look out to the mountains, I see scratched lines breaking through the slopes, while flecks of white dapple on eroded surfaces, recalling cooler seasons. Light moves across planes, marking time with stretched and shortened shadows and form denotes the flow of water through rocky slopes. I record by drawing and writing in attempt to capture these moments of vulnerability, leaving the rest in the haze of lost memories. My concern for humanity’s precarious relationship with nature drives my exploration of the intricacies of terrain and the potential for balance through my material studies.
Snack-filled meals have long been some of my favorites, back in November I even laid out my dining room with charcuterie, crudités, and tappas for my housewarming party. What I love most about these types of spreads is that there are no real rules, only fast and loose suggestions.
These tappas boards by Samarie Designs would be a beautiful addition to any spread. Printmaker Samarie Higgins teamed up with woodworker Jeremy Happ to create these one-of-a-kind pieces that use sustainable wood. Each one features a swirling work of art that’s sure to complement the food served upon it.
Charcuterie includes mainly meats and cheeses, with some supporting roles thrown in by way of fruits, veggies, nuts, and carbs. It’s definitely an appetizer that’s heavy enough to be considered a light dinner. (A recommended 5 oz. of meat and 2 oz. of cheese per person, if you’re curious.)
+ dry-cured salami, prosciutto, smoky sausage, speck, coppa, chorizo, and sopressata
+ one of each type of cheese: stinky (blue), aged (cheddar, gouda) , soft (double or triple creams), hard (parmesan, manchego), and fresh (ricotta, goat, mozzarella) served at room temperature
+ toast a sliced baguette and/or cut up flatbreads in the oven
+ add small bowls of nuts and dried fruits scattered in between
+ olives, cornichons, and artichoke hearts will elevate your entire board with new textures
+ a few types seasonal fresh fruit, either sliced or in bowls
+ slice the hard cheeses, break up the stinky ones, provide different knives for the soft and fresh
+ add in a grainy mustard, fig jam, and fragrant honey for those who want to get adventurous
Crudités platters are usually full of seasonal vegetables, something pickled, and a few sauces. It’s a versatile appetizer because it can be served cold or hot, depending on the time of year. Separate everything into groups when plating on platters and boards for maximum visual impact.
+ cold, sliced seasonal vegetables– broccolini, cauliflower (white, green, orange and purple), radishes (red, black, watermelon), asparagus, celery, carrots, assorted bell peppers, snap peas, haricot vert, English cucumbers
+ mini skewers with things like mozzarella balls with cherry tomatoes
+ steamed, grilled, or baked vegetables such as corn on the cob, mini potatoes, and edamame
+ something bright and citrusy, like sliced oranges or Meyer lemons
+ two to three sauces for dipping
+ hollow out a few small heads of cabbage and fill them with thicker sauces for serving
+ a fancy salt, like pink Himalayan
Aki Inomata‘s girl, girl, girl… seems especially fitting as I found a rogue caterpillar sitting outside my bedroom door when I woke up one day last week. Inomata spent two years raising bagworms in order to give them pieces of material to use as their protective cases. It ended up being a kind of commentary on women’s fashion as well as womanhood in general.
Male bagworms leave their protective cases when they become adults, and become moths. However female bagworms remain in their protective cases for their whole lives and wait for the male bagworms. This reminded me of my own experience of being approached by hundreds of men, whilst the few men that I was interested in often didn’t even glance at me. Though the gender issue is meant to have changed in our generation, why is it that women still make much more effort than men concerning their appearances?
Every year I make the mistake of waiting until it’s time to wear a swimsuit to try and buy one, but this year I’m behind the 8 ball and starting my search early (on time?). I haven’t been one for bikinis since my 20s, so I’m thrilled that the selection of one-pieces is exceptionally robust this year. Lots of interesting cuts and graphic patterns that draw me in like a moth to a flame. Plenty are already on sale too, so if you’re on the hunt for a new suit there’s no time like the present.
In today’s age of selfies galore, Jen Mann’s paintings step back and explore human identities a bit deeper.
In the society of “me”, where we document ourselves like celebrities and share our lives online for everyone, the self is a prevalent, and important topic to our generation. Our identities are curated like our online profiles to reflect only the parts of ourselves we choose to keep alive. Who am I? Who are you? What does my life mean? Why am I alive? Mann’s work aims to address these very illusive questions, and explore, but not necessarily answer all of them.
It’s already May, and I’ve been a planting fool! But unfortunately, I’ve also already been sunburned once. Despite my daily layer of sunscreen, I’m realizing I need something more – like an gigantic hat to protect my face, neck, and scalp. (Having super dark hair and a flaky scalp do not mix.) I picked up a wide-brimmed straw hat for the job, but decided it needed a bit more personality. A few geometric shapes and three primary colors later and now I’ll be wearing it all summer long! Bonus: this one is foldable, so it’ll be easy to tuck into my bag on the go – no excuses.
Supplies:
• wide-brimmed straw hat
• craft paint
• cardstock
• scissors
• pen
• flat-tipped paintbrush
• palette or paper plate
• paper towels
Start out by making some simple cutout templates using the cardstock, pen, and scissors. I used objects from around the house – a salt cellar for the circle, a sticker for the square, and the corner of the cardstock for the triangle. (Of course you can opt to use any shapes you want, I think black and white squiggles would look great!) I recommend using a pen to trace each shape because a pencil didn’t seem to be dark enough.
Lay out your shapes and trace as you go, making sure to avoid placing circle next to circle, etc. Now get to painting. I chose a primary color palette because it’s bright and fun for summer, but I think a black and white scheme would be just as striking. Layer of paper towels or newsprint on your painting surface before getting started because it will come through a bit. After putting some paint on my palette, I went around and made a small daub of color on each shape as a guide.
Carefully line the edges of each shape using your flat-tipped brush before filling in the centers, using the brush in an up and down motion to get all the nooks and crannies where necessary. Allow your new hat to dry thoroughly (of course) before strutting your stuff and protecting your mug!
If my clothes looked this good when folded, well, they definitely wouldn’t sit in the laundry basket waiting for as long as they do. Los Angeles-based artist Ry Rocklen‘s Wardrobe is made entirely out of porcelain, assuring only intended wrinkles.
You may be familiar with Block Shop‘s traditional Indian hand block printed scarves, but did you know they recently released a line of table linens? Because they did and they’re ideal for summer entertaining. The easy California vibe of each scarf carries over effortlessly to table runners and napkins, furthering sisters Lily and Hopie’s mission to make heirloom textiles with a high social benefit and low environmental impact.